Netflix’s “The Midnight Sky” barely qualifies as a science fiction film, but director-star George Clooney’s efforts to build a story about connection and regret overcomes the movie’s shortcomings. … More “The Midnight Sky” is barely a sci-fi movie, but that’s okay
My two college-age daughters and I walked out of a showing of The Martian last weekend in a mild daze resembling postprandial satisfaction. You want that feeling of well-being to go on, and so the first question I asked them and an accompanying friend was, “Should it get a sequel?” The answer: “NO!!!!!” I agree. … More Why The Martian’s success probably won’t spawn a sequel
My college-age daughter Emily and I saw Mad Max: Fury Road over the weekend and we left the theater wondering what all the fuss is about. Film review aggregator Rotten Tomatoes gives the George Miller action thriller a 98 percent rating. Competitor Metacritic rates it 89 percent. I know three people who probably wouldn’t recommend … More Mad Max: Fury Road sputters, despite its feminist cred
Interstellar is a glorious tangle, an ambitious film that accomplishes much, but fails to grab the audience by the throat. Director Christopher Nolan delivers a sci-fi epic true to the Hollywood form, spanning galaxies and taking the viewer to places impossible to visit in real life. It expands on a classic American (indeed, human) theme–striking … More Review: How “Interstellar” resembles “How the West Was Won”
Too dark. Too depressing. Too frightening. These are the comments some critics and authors apply to the crop of movies and novels drawing viewers and readers to the multiplexes and bookstores these days. From the Maze Runner to Divergent, dystopias dominate the best-seller and blockbuster categories, and culture watchers wonder if the public has lost … More Utopia vs dystopia smackdown: Guess who wins.